The novel Wuthering Heights

The series of events in Emily Brontes early life psychologically set the tone for her fictional novel Wuthering Heights. Early in her life while living in Haworth, near the moors, her mother died. At the time she was only three. At the age of nineteen, Emily moved to Halifax to attend Law Hill School. There is confusion as of how long she stayed here, suggestions ranging from a minimum of three months to a maximum of eighteen months. However long, it was here where she discovered many of the ideas and themes used in Wuthering Heights.

Halifax, just like the Yorkshire moors of York, can e described as bleak, baron, and bare. The moors are vast, rough grassland areas covered in small shrubbery. The atmosphere that Emily Bronte encompassed herself in as a young adult, reflects the setting she chose for Wuthering Heights. The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange.

Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. In Emily Brontes novel Wuthering Heights, there are two places where virtually all of the action takes place. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme in her novel Wuthering Heights. Wuthering Heights and Thrushcross Grange both represent several opposing properties which bring about all sorts of bad happenings when they clash.

For example, the inhabitants of Wuthering Heights were that of the working class, while those of Thrushcross Grange were high up on the social ladder. The people of Wuthering Heights aspired to be on the same level as the Lintons. This is evident by Heathcliff and Catherine when the peek through their window. In addition, Wuthering Heights was always in a state of storminess while Thrushcross Grange always seemed calm. Wuthering Heights, and its surroundings, depicts the cold, dark, and evil side of life.

Bronte chooses well, the language that she uses in Wuthering Heights. Even the title of her book holds meaning. The very definition of the word wuthering may be iewed as a premonitory indication of the mysterious happenings to be experienced by those inhabiting the edifice. 1 Wuthering Heights, built in 1500, suffers from a kind of malnutrition: its thorns have become barren, its firs stunted, everything seems to crave for the alms of the sun that sustain life. 2 This tenebrous home is decorated with crumbling griffins over the front of the main door. Its lack of congeniality and warmth is augmented by stone floors. 4 The windows are set deep in the wall, and the corners defended with large jutting stones.

Although Wuthering Heights, the land of the storm, its high on the barren moorland, The world of Wuthering Heights is a world of sadism, violence, and wanton cruelty. 5 It is the tenants of the Wuthering Heights that bring the storm to the house. The Earnshaw family, including Heathcliff, grew up inflicting pain on one another. Pinching, slapping and hair pulling occur constantly.

Catherine, instead of shaking her gently, wakes Nelly Dean, the servant of the house, up by pulling her hair. The Earnshaw children grow up in a world where human beings, like the trees, grow gnarled and dwarfed and distorted by the inclement climate. Wuthering Heights is parallel to the life of Heathcliff. Both Heathcliff and Wuthering Heights began as lovely and warm, and as time wore on both withered away to become less of what they once were. Heathcliff is the very spirit of Wuthering Heights. Healthcliff is a symbol of Wuthering Heights, the cold, dark, and dismal dwelling.

The authors use of parallel personifications to depict specific parts of the house as analogous to Heathcliffs face reveal stunning insights into his character. 7 Emily Bronte describes Wuthering Heights having narrow windows deeply set in the all, and the corners defended with large jutting stones. 8 This description using the characteristics of Wuthering Heights is adjacent to Heathcliff when he is illustrated having, black eyes withdrawn so suspiciously under their brow. 9 Heathcliff lived in a primal identification with nature, from the rocks, stones, trees, the heavy skies and eclipsed sun, which environs him.

There is no true separation from the setting of nature for Heathcliff and the lives with which his life is bound. Thrushcross Grange, in contrast to the bleak exposed farmhouse on the heights, is ituated in the valley with none of the grim features of Heathcliffs home. Opposite of Wuthering Heights, Thrushcross Grange is filled with light and warmth. Unlike Wuthering Heights, it is elegant and comfortable-a splendid place carpeted with crimson, and crimson covered chairs and tables, and a pure white ceiling bordered by gold. 0 Thrushcross Grange is the appropriate home of the children of the calm. The atmosphere of Thrushcross Grange illustrates the link the inhabitants have with the upper-class Victorian lifestyle.

Although the Lintons appearance was often hallow, appearances were kept up for their friends and their social standing. While Wuthering Heights was always full of activity, sometimes to the point of chaos, life at the Grange always seemed placid. Lintons existence here at Thrushcross Grange was as different from Heathcliffs as moonbeam from lightning, or frost from fire. 1The Lintons often portrayed themselves as shallow, arrogant people, but life here was much more jovial than the inmates of Wuthering Heights lives were. Catherine Earnshaw, also a child of the storm, ties these two worlds of storm and calm together. Despite the fact that she occupies a position midway between the two worlds, Catherine is a product of the moors. She belongs in a sense to both worlds and is constantly drawn first in Heathcliffs direction, then in Lintons. Catherine does not like Heathcliff, but she loves him with all the strength of her being.

For he, like her, is a child of the storm; and this makes a bond between them, which interweaves itself with the very nature of their existence. In a sublime passage she tells Nelly Dean that she loves him- not because hes handsome, Nelly, but because hes more myself than I am. Whatever our souls are made of, his and mine are the same, and Lintons is as different as a moonbeam from lightning, or frost from fire. . . . My great miseries in this world have been Heathcliffs miseries, and I watched and felt each from the beginning: my great thought in living is himself.

If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, Im well aware as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! Hes always, always in my mind; not as a pleasure, any more than I am always a pleasure to myself, but as my own being. 2 Despite the fact she loves only Heathcliff, she marries Edgar Linton.

Catherine realizes that even though her love or lack of love for Edgar is questionable, she feels that someday she will learn how to love him. Catherine sees that, whatever his faults, Heathcliff transcends the Lintons world. 13 Catherines account of Heathcliff may ppear on the surface to be scarcely more favorable than Lintons; but it is certain that she understands him in a way that Linton never could. 14 The bond between Heathcliff and Catherine was formed long ago during their childhood at Wuthering Heights.

The setting throughout the novel often corresponded with the characters emotions. It is best symbolized in a passage about natures obviousness to Heathcliffs grief over Cathys death. A symbol for tears lurks in the image of the dew that had gathered on the budded branches, and fell pattering round him. 15 Even though Heathcliff was a hardened person, Catherines death truly devastated him. Heathcliffs emotions also corresponded with nature when he disappears into a raging storm after hearing Catherine say that it would degrade her to marry Heathcliff.

Emily Bronte gives a brief description of Catherines actions after it is brought to her attention that Heathcliff heard what she said. Catherine, going out to the road in search of him, where heedless of my expostulations, and the growling thunder, and the great drops that began to plash round her, she remained calling, at intervals, and then listening, and then crying outright. 6 This description symbolizes the relationship and the internal bond that the characters of Wuthering Heights had with nature.

It is Brontes remarkable imagination, emotional power, figures of speech, and handling of dialect that makes the characters of Wuthering Heights relate so closely with their surroundings. Emily Brontes style of writing is capable of drawing you into the novel because of her ability to make inanimate objects become the characters of the story. The contrast of these two houses adds much to the meaning of this novel, and without it, the story wouldnt be the interesting, complex novel it is without the contrast etween Wuthering Heights and Thrushcross Grange.

The contrast between them is more than physical, rather these two houses represent opposing forces which are embodied in their inhabitants. Having this contrast is what brings about the presentation of this story altogether. Bronte made Heathcliff and Wuthering Height as one. Both of these being cold, dark, and menacing similar to a storm. Thrushcross Grange and the Lintons were more a welcoming and peaceful dwelling. The personality of both is warm and draws itself to you by the warmth of the decor and richness of the surrounding landscape.

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