Essay about Music Industry Career

In the music industry, there is a majority of career positions available. When working in a music industry there are careers varying from songwriter, manager, marketing executive, music publisher, producer, etc. Each of these careers is different in their own way that requires different skills to achieve success while still working together.

Some skills come more naturally to others while other skills are gained through study and practice. Some are naturally good at writing and incorp

In the music industry, there is a vast majority of career positions available. When working in a music industry there are careers varying from songwriter, manager, marketing executive, music publisher, producer, etc. Each of these careers is different in their own way that requires different skills to achieve success while still working together.

Some skills come more naturally to others while many skills, however, are acquired through study and practice. Songwriting is a combination of the two. Some are naturally good at writing a song that appeals to most listeners, while others spend their time studying how to appeal to their audience. Both songwriters must have excellent communication skills and the ability to sell their works either gaining exposure by creating personal websites or having connections in the industry. Most songwriters start off as a freelance writer who started working at home compiling music using technology or instruments to create their works. The music industry isn’t easy for writers they then must go out and sell their songs with individual artists or labels advertising the need for music.

As a music manager having excellent communication skills with people, a passion for music, being able to cope well under pressure, organized, and having knowledge of the industry are some qualities a successful manager has. The goal of a manager is to get a gig or a top hit. The manager has to coordinate all aspects of the project, work with organizations, and the people involved with them. While also understanding what your client wants as well. If they are unsigned you must produce as much work as possible to get them noticed. Having connections to networks can help you create new contacts. https://www.theguardian.com/careers/what-does-a-music-manager-do

The marketing executive or product manager covers marketing, publicity, public relations, audience development, and imaging. They are reasonable for strategic planning to develop new audiences, maintain audiences, and promotion of the organization. Marketing executives need to understand basic marketing principles and research techniques in order to meet their sales targets. Marketers need excellent skills in oral and written communication, negotiation, budgeting, project management, team building, and strategic management. http://www.musiccareer.com.au/index.php/Marketing_Manager

The music publisher owns or administers copyrights in songs, and licenses them to companies or other entities that play music such as radio stations, record labels, filmmakers, and advertisers. A publisher can help a songwriter secure commercially released recordings or even produce the final piece. There are five different rights a publisher owns one is public performance rights, mechanical rights, synchronization rights, print rights, and print rights that all protect the industry. A good music publisher needs experience and contacts to allow him or her to promote songs to potential licensees and negotiate good terms for their use. Without a publisher, an independent songwriter may be unable to place their music with licenses on favorable terms due to some companies refusing to work with individual songwriters.

The producer is like a project manager and every producer brings different skills, and approach to a company by contributing, commenting, or advising a performance. Contrary to popular belief, not all producers sit in a recording studio all day just to produce music. Producers need to interact with others in the industry and outside of it to make connections and make sure everyone is reaching for the same goal. Some producers may focus on an artist’s motivation or performance or coaching them to produce the best music whatever means. Rick Rubin is an example- has a gift for re-focusing and inspiring artists on their core strengths. Producers in recent year, however, have changed the industry by incorporating their own instruments to songs and even producing their own albums.

If I could pick a music career, I would be most interested in being a songwriter. Even though, I don’t have any experience with writing songs or even playing an instrument having the skill to influence someone’s emotions through music is outstanding to me. When I’m listening to a song I try to understand what the songwriter is trying prorating though their lyrics while keeping an open mind to others interpretation of the song. It’s amazing how certain songs sound so personal with so much emotion going on that it hits you and overwhelms you with what the artist wants you to feel. I did learn that you can’t just look at the job description and think that’s it. When I looked up these careers I found that even though you’re a producer you can do the same things as a songwriter or executive can do which I found to be more versatile instead of being constricting.

orating emotions to a song that appeals to listeners, while others spend their time studying how to appeal to their audience. Both songwriters must have excellent communication skills and the ability to sell their works either gaining exposure by creating personal websites or having connections in the industry. Most songwriters start off as a freelance writer who started working at home compiling music using technology or instruments to create their works. The music industry isn’t easy for writers they then must go out and sell their songs with other artists or labels advertising the need for music. http://careers.stateuniversity.com/pages/7981/Songwriter.html

As a music manager having excellent communication skills with people, a passion for music, being able to cope well under pressure, organized, and having knowledge of the industry are some qualities a successful manager has. The goal of a manager is to get a gig or a top hit. The manager has to coordinate all aspects of the project, work with organizations, and the people involved with them. While also understanding what your client wants as well. If they are unsigned you must produce as much work as possible to get them noticed. Having connections to networks can help you create new contacts. https://www.theguardian.com/careers/what-does-a-music-manager-do

The marketing executive or product manager covers marketing, publicity, public relations, audience development, and imaging. They are reasonable for strategic planning to develop new audiences, keep up audiences, and promotion of the organization. Marketing executives need to understand basic marketing principles and research techniques to meet their sales targets. Marketers need excellent skills in oral and written communication, negotiation, budgeting, project management, team building, and strategic management. http://www.musiccareer.com.au/index.php/Marketing_Manager

The music publisher owns or administers copyrights in songs, and licenses them to companies or other entities that play music such as radio stations, record labels, filmmakers, and advertisers. A publisher can help a songwriter secure commercially released recordings or even produce the final piece. There are five different rights a publisher owns one is public performance rights, mechanical rights, synchronization rights, print rights, and print rights that all protect the industry. A good music publisher needs experience and contacts to allow him or her to promote songs to potential licensees and negotiate good terms for their use. Without a publisher, an independent songwriter may be unable to place their music with licenses on favorable terms due to some companies refusing to work with individual songwriters.

The producer is a project manager and every producer brings different skills and approach to a company by contributing, commenting, or advising a performance. Contrary to popular belief, not all producers sit in a recording studio all day just to produce music. Producers need to interact with others in the industry and outside of it to make connections and make sure everyone is reaching for the same goal. Some producers may focus on an artist’s motivation or performance or coach them to produce the best music whatever means. Rick Rubin is an example- has a gift for re-focusing and inspiring artists on their core strengths. Producers in recent year, however, have changed the industry by incorporating their own instruments to songs and even producing their own albums. http://www.theodoramichaels.com/articles/publisher.php

http://www.ascap.com/Home/Music-Career/articles-advice/ascapcorner/corner1.aspx

http://study.com/articles/Music_Producers_Job_Description_and_Info_for_Students_Considering_a_Career_in_Music_Producing.html

If I could pick a music career, I would be most interested in being a songwriter. Even though, I don’t have any experience with writing songs or even playing an instrument having the skill to influence someone’s emotions through music is outstanding to me. When I’m listening to a song I try to understand what the songwriter is trying prorating though their lyrics while keeping an open mind to others interpretation of the song. It’s amazing how certain songs sound so personal with so much emotion going on that it hits you and overwhelms you with what the artist wants you to feel. I did learn that you can’t just look at the job description and think that’s it. When I looked up these careers I found that even though you’re a producer you can do the same things as a songwriter or executive can do which I found to be more versatile instead of being constricting.